{"id":389,"date":"2019-06-12T11:07:00","date_gmt":"2019-06-12T02:07:00","guid":{"rendered":"https:\/\/www.motoi-works.com\/en\/?p=389"},"modified":"2021-02-07T14:27:45","modified_gmt":"2021-02-07T05:27:45","slug":"documentary-film-of-yamamoto-work","status":"publish","type":"post","link":"https:\/\/www.motoi-works.com\/en\/archives\/389","title":{"rendered":"Short Documentary"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/www.motoi-works.com\/wp-content\/uploads\/2020\/11\/motoi-media_12.jpg\" alt=\"\" class=\"wp-image-228\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">This is a documentary film of Yamamoto work. In the summer of 2018, He installed the salt work for a commercial of the Sydney-based foreign remittance company \u201cOFX\u201d. The story behind Motoi Yamamoto\u2019s salt art was made with the client who came from Sydney and the Japanese shooting crew. The director\u2019s cut contains an interview, and also edited \u201cThe Return to the Sea\u201d!<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"RETURN TO THE SEA : Motoi Yamamoto&#039;s Art Documentary | Director&#039;s cut\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/BQXm-8BB4vY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption><a href=\"https:\/\/www.youtube.com\/watch?v=BQXm-8BB4vY&amp;feature=youtu.be\">\u30c9\u30ad\u30e5\u30e1\u30f3\u30bf\u30ea\u30fc\u6620\u50cf\uff084\u520620\u79d2\uff09<\/a><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"The way the world moves money is constantly changing\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/dUXAll49r1E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption><a href=\"https:\/\/www.youtube.com\/watch?v=dUXAll49r1E\">CM\u672c\u7de8\uff08\u82f1\u8a9e\u30fb30\u79d2\u30d0\u30fc\u30b8\u30e7\u30f3\uff09<\/a><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>RETURN TO THE SEA : Motoi Yamamoto<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Director of photography &amp; editor : Hikari Homma<br>Additional photography : John Wells<br>Soundtrack composed &amp; performed by Morgan Fisher<br>Directed by Hikari Homma &amp; Andrew Thomas<br>Executive producer : Peter Grasse<br>Translation: Kawano Hiroko<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Special thanks to<br>Lucy Allen (OFX), Siobhan Dampncy (Hogarth Australia), Ben Pearce (Joy Agency) and Kanazawa College of Art<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A short film produced by creativehybird &amp; Mr+Positive (C)2019<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is a documentary film of Yamamoto work. In the summer of 2018, He installed the salt work for a commercial of the Sydney-based foreign remittance company \u201cOFX\u201d. The story behind Motoi Yamamoto\u2019s salt art was made with the client who came from Sydney and the Japanese shooting crew. The director\u2019s cut contains an interview, and also edited \u201cThe Return to the Sea\u201d! RETURN TO THE SEA : Motoi Yamamoto Director of photography &amp; editor : Hikari HommaAdditional photography : John WellsSoundtrack composed &amp; performed by Morgan FisherDirected by Hikari Homma &amp; Andrew ThomasExecutive producer : Peter GrasseTranslation: Kawano Hiroko Special thanks toLucy Allen (OFX), Siobhan Dampncy (Hogarth Australia), Ben [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":183,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"swell_btn_cv_data":"","footnotes":""},"categories":[5],"tags":[],"class_list":["post-389","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-media"],"_links":{"self":[{"href":"https:\/\/www.motoi-works.com\/en\/wp-json\/wp\/v2\/posts\/389","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.motoi-works.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.motoi-works.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.motoi-works.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.motoi-works.com\/en\/wp-json\/wp\/v2\/comments?post=389"}],"version-history":[{"count":2,"href":"https:\/\/www.motoi-works.com\/en\/wp-json\/wp\/v2\/posts\/389\/revisions"}],"predecessor-version":[{"id":438,"href":"https:\/\/www.motoi-works.com\/en\/wp-json\/wp\/v2\/posts\/389\/revisions\/438"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.motoi-works.com\/en\/wp-json\/wp\/v2\/media\/183"}],"wp:attachment":[{"href":"https:\/\/www.motoi-works.com\/en\/wp-json\/wp\/v2\/media?parent=389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.motoi-works.com\/en\/wp-json\/wp\/v2\/categories?post=389"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.motoi-works.com\/en\/wp-json\/wp\/v2\/tags?post=389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}